Botticelli: Images of Love and Spring (Pegasus Library)

Category: Books,Biographies & Memoirs,Historical

Botticelli: Images of Love and Spring (Pegasus Library) Details

From Library Journal These two volumes follow 25 others in the "Pegasus Library" series, advertised as presenting "the passions that drive the masters." Waldmann, a Spanish art specialist, delves into the suspicion some people have entertained over the centuries that Francisco de Goya and one of his patrons, the 13th Duchess of Alba, had an adulterous relationship. Some intriguing paintings, drawings, and prints produced in the 1790s suggest that perhaps they did, but the salacious quotes from a romantic novel and a final image of the duchess's exhumed and decayed corpse are more suited to a tabloid. In contrast, Zollner (art history, Univ. of Leipzig) uses Sandro Botticelli's art to explore virtuous love within marriage. He discusses the intended usage of the paintings in Italian bridal chambers and cites classical and Renaissance literary references for his analysis of iconographic motifs in "La Primavera," "Birth of Venus," and several other paintings. Translated from German, the text of both books flows clearly; they are sturdily constructed, and the color illustrations complement the text well. Certain aspects, however, such as the slender physical format and dust jackets with erotic spine and cover designs, suggest that these books are intended for gift-giving or collecting rather than purchase by libraries. The exception would be libraries that acquire every title on a particular artist.?Anne Marie Lane, American Heritage Ctr., Laramie, WYCopyright 1998 Reed Business Information, Inc. Read more Language Notes Text: English (translation) Original Language: German Read more

Reviews

It is one of the nicest surprises in terms of Botticelli scholarship. The author (an illustrious Leonardo scholar) is trying to interpret a number of paintings on which there is already quite a lot of bibliography, and does a pretty good job. My only complaint is the fact that sometimes I wish he would deepen and extend his very interesting comments (the book has 128 pages and 72 illustrations, usually taking up the space of a page, so there is not a whole lot of text, and the fonts are pretty big). So, if you are looking for interesting theories concerning Botticelli's mythological paintings, than this is one of the books for you. If you're looking for books with nice pictures, there are better ones available (this one is smallish, and because of the format, although has nice details, the main pictures do not generally fit on a single page).

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